Tuesday, December 8, 2015

Spotify Still Leads In Paid Streaming Customers

It looks like Spotify is still in the lead in terms of paying customers, if this chart from Statista is any indication.

The chart shows that Spotify has a handy lead over Apple Music at the moment, although it's yet to be seen just how many people buy into the YouTube's new Red service, which could change the balance of power here.

A couple things to keep in mind when looking at this chart.

1. There are only a bit more than 40 million paying customers for streaming at the moment, so there's a lot of room for growth.

2. The chart only looks at Western services, and doesn't include any from Asia, where people have been used to paying for music for some time.
Infographic: Spotify Ahead of the Pack in Terms of Paying Users | Statista

You will find more statistics at Statista


Monday, December 7, 2015

Repost Network Founder Jeff Ponchick On My Latest Inner Circle Podcast

Jeff PonchickIf your music is on SoundCloud, then you probably want to know about Repost Network, a service based on the YouTube multi-channel networks that can help you get paid for your streams.

Jeff Ponchick, the founder of Repost, is my guest on the podcast this week and he'll discuss how it came about and how it all works.

On the intro I'll discuss the process of purchases fake crowds, and take a look at the latest from the lab - 3D batteries that store more juice, take less time to recharge, and are safer for the environment.

Remember that you can find the podcast at BobbyOInnerCircle.com, or either on iTunes, Stitcher and now on Mixcloud and Google Play.


Bar Owners Fighting BMI Over High Fees

Live Music Killed Off image
Bar owners across the country are getting more up in arms at what they claim is BMI's "take-it-or-leave-it" fee structure and canceling music events as a result, according to an article in phillymag.com.

Every public establishment, whether it's a bar, coffee house or restaurant, has to pay the performing rights organizations (BMI, ASCAP and SESAC) if they want to have music playing, whether it's live, radio, or a jukebox.

The problem is, according to many bar and club owners, that BMI imposes what seems like a random fee that could rise at any time without a cap. If they don't pay, then BMI's deep pocket attorneys take the owner in court, which most bar and club owners just can't afford.

The bars are fighting back though, thanks to their local beverage associations. The Pennsylvania Licensed Beverage and; Tavern Association, The Food and Beverage Association of San Diego, and the Michigan Licensed Beverage Association have all teamed up to create the Fairness In Music Licensing Coalition, which hopes to change the way this portion of the copyright law is implemented.

Right now BMI charges on the number of people that will fit into the club, but if that isn't available they use the establishment's square footage, which almost always doesn't represent the number of people that the place holds.

No one argues that the songwriters and publishers shouldn't be paid, by the way. It's just how they're being charged that's at issue.

The big problem here is that everyone loses when a venue stops having live music, so this is something that both sides should work diligently to sort out.

Friday, December 4, 2015

As Always, Female Buyers Still Fuel Pop Music Sales

Music Buyer Data image
What do Adele, Taylor Swift, Ed Sheeran and Sam Smith have in common? Most of the buyers of their albums are female, according to an article by Hannah Karp in the Wall Street Journal based on data from a number of market research firms.

While this info is probably no surprise to music execs who’ve inherently known this for decades, the new-found ability to have a greater understanding of an artist’s fans syncs more with the conventional industry wisdom than previously thought.

Take Adele, for instance. First of all, she’s an artist that goes completely against the grain of what the music business currently considers a pop star. She’s a full-figured women who has a relatively small social media footprint and no bombastic big-production stage show, yet she’s been crushing sales records by doing it the old fashioned way - with great songs and performances.

If you look closely at the demographic profile of her fans though, the sales records begin to make perfect sense.

According to the article, a Nielsen study funded by Sony Music found that 62% of Adele’s fans are female, between the ages of 25 and 44 years old, and have children. In other words, they’re soccer moms. What’s more, a majority of them work in the health care industry, drink light beer and Aquafina water, and are 80% more likely than average to read Parents magazine, for whatever that’s worth. To take it a step further, 28% of her fans are in the 50+ age bracket, according to music consumer research company Music Watch. Read more on Forbes.


Thursday, December 3, 2015

The Evolution Of Online Video

The evolution of video
Believe it or not, online video is only about 10 years old, and as we all know, it's come a long way in that time.

Just about everyone has posted a video and many are actually making money doing so. And online video cuts across all age demographics, so even though younger Americans are more prolific, the 50+ year-olds watch more video online than ever before.

Here's a great infographic from SwitcherStudio that shows just how much things have changed since YouTube was created 10 years ago.

Online Video Evolution infographic


Wednesday, December 2, 2015

Design Your Album Artwork With The TAD App

TAD app
One of the problems that many artists and bands have is that they're good at creating music, but not so much when it comes to creating the artwork that goes along with it. That shouldn't be a problem any longer though, thanks to the new TAD (Thumbnail Art Design) app, which makes great looking artwork a snap.

TAD allows you to choose from a variety of album cover templates, add photos, logos and text from a large selection of fonts, then add frames, filters and other artwork elements to give your album cover the artistic feel that you're looking for.

You can then export the result at a variety of resolutions to fit whatever platform you're using (iTunes, SoundCloud, Bandcamp, Spotify, etc.) up to a max of 3000 x 3000 pixels. You also get unlimited exports with no watermarks, making TAD one of the best go-to graphic tools an artist can have.

TAD is currently available for free from the iTunes App Store until December 14th, after which it will be $1.99, which is still a bargain. It's designed for iPhone and iPad and requires iOS 7.0 or later.



Tuesday, December 1, 2015

Can You Copyright Silence?

Detweiler Soundcloud InfringementD.J. Detweiler has been pushing SoundCloud's copyright buttons for the last few years with satirical "flutedrop" remixes of popular songs using a simple recorder (the instrument, not the machine).

The group has taken the pursuit to a new level by posting a version of John Cage's "4:33," which is Cage's conceptual piece that's nothing but 4 minutes and 33 seconds of silence.

SoundCloud removed Detweiler's piece on the basis of copyright infringement (see the graphic on the left), not because of the silence, but because of a mashup of a Justin Bieber song within the piece.

That said, Cage's piece was a performance piece only and never recorded, mostly to bring up the question, "Can you copyright silence?"

If Cage's piece is nothing but silence, is it even possible to copy it in the first place?

Had Detweiler just placed a silent recording online and retitled it something other than "4:33," SoundCloud might not have taken it down, but would the recording then still be infringing on Cage's copyright?

I don't know the answer here, but it does bring up yet another deep philosophical question - "Can total silence be music, and if so, how much of it equals a song, or at least enough to earn a copyright?"

What do you think?